However, this benefit often comes at the cost of exaggerated 'ess' and 'tee' sounds, not to mention the risk of popping. In a less-than-ideal space, it's always tempting to try to work microphones very close, in order to minimise the amount of room ambience that is picked up. Pro DS doesn't need the hidden 'expert' controls of other plug-ins in the Fabfilter range and lets you access everything via this simple, single-page interface.īehind Fabfilter's elegant interface lurks an advanced algorithm that is claimed to offer the most natural de-essing yet.Īsk any mastering engineer which faults they encounter over and over again in amateur or project-studio mixes, and excessive vocal sibilance is likely to be near the top of the list.
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